Most of the
time, you find interesting stuff by chance. It's normal to look for specific
material from a band or individual artist, and finding related artists or
simply an interesting name, to find new experiences. Well, in one of my
frequent bandcamp searches, I found Derlich.
Derlich
it's a techno project, oriented the more dense and dark spectrum of the genre. Taking
Throbbing Gristle as a main influence, we can describe the basic essence of
their proposal. A hypnotic and hard to swallow techno. After listening to some
of their songs, I found Arachnophobia, a one hour mix. Just by seeing that, I
wanted to make a commentary of it. It promised to be an ambitious and quite
interesting experience.
In fact,
that affects my own style to analyze an album (in this case, a Dj mix), because I'm used to analyze it
song by song, to capture the essence of the band, but a single track is a
personal challenge. So, as I write these words, the introduction advances with
parsimony, but with certain "electricity", with little details that make
me stay alert and pay attention. The intensity arises slowly, as we get into
that net of samples and noises, until minute 6, where the actual song begins
The first
question I think of is: can you dance to this? There's a clear invitation to
it, but the atmosphere printed in every second of the song makes me doubt. I
mean, there's rhythm, everything's there, but Derlich manages to fill every
nook with important doses of "evil", that crushes, oppresses, but at
the same time it's wonderful. When you get carried away by that dark sound, you
get hypnotized, and the hearing acquires another taste, in fact you can analyze
the composition from another point of view, which is applicable to other jewels
like God, Casual Violence or Young Gods.
The great
trick to maintain that kind of hypnosis over the listener is, without a doubt
the ability to add little and almost insignificant details that make the
listener interested despite the rhythmical repetition being frequent. With
those details, the song still has something to give, finding and developing
microforms that happen one after the other until the elaboration of a new
section, with different characteristics.
Something
that's remarkable is the subtle use of elements related to Noise, that don't
take protagonism, but are there, being the main "disturbing" factor
in this huge piece. It never takes a completely chaotic nature, but it's an
element that's used under the rhythmic base, making the sound dirty and harsh.
Clearly, the idea of Derlich it's not destined to a massive public, but to a
"trained" audience, prepared to resist (and enjoy) their attacks
There are
certain differences between the aggressive and faster passages, with a raised
tempo, and other introspective and ominous sections, almost playing with an
Ambient of a purely electronic base. This kind of come and go develops
naturally, exploiting time, vital factor in such a long piece, because you need
to know how to manage every section without exaggerating, either changing the
rhythm and losing the base of the song; or adding some very long parts to
densify the material.
I must
remark one of the sections, which starts in minute 43 and goes on until minute
53. In this part of the song there's everything that encompasses Derlich at the
same time. First of all, it has an almost-danceable and catchy start, which
begins to fade while samples and noises become protagonists. You get into a
highly oppressive zone, which chokes and attracts at the same time, showing the
most disturbing side of the mix, to then raise the pace with lots of
aggressiveness. It's the most remarkable section, covering 10
minutes.
The song
continues, taking us to an outcome in a very good way, allowing us to focus on
the conclusions. And the only conclusion is approval. An ambitious project like
this has been perfectly achieved, reflecting without a doubt its essence and
objective.
Maybe it
can result complex at first hearing, but as one adapts and "trains"
as a listener of this kind of projects, it becomes a great experience to enjoy.
Recommended.
Score: 91/100
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